The controversy surrounding the records began after Ashantiā€™s vocals from the ā€œIā€™m Realā€Ā demoĀ track found their way to the songā€™s final version.

At the time, Lopez was the only one labeled as the credited singer. Ashanti originally recorded the demo as a reference for the star. She also says she wrote ā€œAinā€™t It Funny (Murder Remix)ā€ remix. Ashantiā€™s uncredited status led many to believe the women were feuding. Last year, Ashanti brought the conversation to light after addressing the situation during her ā€œVerzuzā€ battle with Keyshia Cole.

During an interview with Metro UK, Ashanti opened up when asked how it felt to be given credit for her work after two decades ā€” although it remains unclear if the songstress has ever gotten any official credit for the songs. The 41-year-old, who was promoting her upcoming tour, told the outlet:

ā€œYou should always care about credit for what you do regardless of what industry youā€™re in. Itā€™s really important to give credit. Especially nowadays because things are so smoke and mirrors. Itā€™s not that itā€™s frustratingā€¦ the word has been getting out there over the past couple of years, and Iā€™m grateful, so a lot of people know, and they were surprised, but itā€™s more of a ā€˜yeah, grateful that you know. Itā€™s weird because obviously you get frustrated for not getting credit or not being properly labeled but then that turns into something you get admired for.ā€

As the remarks circulated online, many mentioned how happy they were for Ashanti.

ā€œOnly took 20 years.ā€